Cuaderno de Yokohoma
In this Quadern d'àudio we publish the complete series of 17 graphic scores that Barber created in Yokohama (Japan) in 2005. This previously unpublished series brings together the visual exercises...
View ArticleBLACKOUT. Representation, transformation and de-control in the sound work of...
Yasunao Tone (Tokyo, 1935) is a Japanese interdisciplinary artist. He graduated from Chiba Japanese National University in 1957, majoring in Japanese literature. He became active in the Fluxus movement...
View ArticleRadio Music
"Radio Music" connects three examples from the history of the potential of the radio receiver as musical instrument, from its early beginnings in the twenties as captured on a comedy record, to formal...
View ArticleProcesses and systems in computer music; from meta to matter
In this essay Dr Tony Myatt describes how processes and systems were applied in early experimental music, and contrasts two approaches to the use of systematic and algorithmic processes in experimental...
View ArticleThe Road to Plunderphonia
In "The Road to Plunderphonia" Chris Cutler looks at the critical role of memory – on which both the origination and reproduction of music turns – and attempts to unpick to what extent the specific...
View ArticleFrom the soundscape meme to self-awareness
Taking the term soundscape as a starting point, this essay by José Manuel Berenguer addresses a number of concerns relevant to understanding the listening experience within art and everyday life....
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